You rarely see this quality of light in cinema, and I often use these images as a reference for 'Galore', a feature drama I've been developing with undulations of success over recent years.
But, recently, I caught, after much anticipation, Andrea Arnold's 'Fishtank' which floored me. I loved just about everything about it. But I particularly loved the fact that one of the film's pivotal scenes used exactly this quality of light to reveal the young heroine dancing for her mother's boyfriend. It is pretty fucking sublime if you ask me. Of course, the scene, and the film, goes pear-shaped, but we're just talking about the light, here, ok?
This was Rachael Cassells' quality of light, looking every bit as intense and beautiful as I hoped and imagined. It's made me even more resolute to use this approach in 'Galore'.
No comments:
Post a Comment