"I think by de facto, that the very act of the making of a film, is an act emerging from hope. So questions that surround hopelessness are in contradiction to the actual fact that there is a film"
and,
"I think that cinema, a certain cinema, is a form of resistance. Especially when it is the habitat of a certain moral questioning; of a certain place and pleasure and inspiration of a certain democratic framing, it becomes a form of resistance evidently. The fact that we are trying, we are crossing the boundaries and transgressing these boundaries, we are also trying to communicate to others a form of resistance to stop the regression by itself — by de facto."
Elia Suleiman
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